Unmellow yellow
Here’s what happens when you die:
You float back through the doorway of whatever room you’ve floated out of. (Bathroom, kitchen. Try to choose wisely.) That’s right; as soon as you escape the trappings of your corporeal existence, it boomerangs you back in. That’s momentum at work for you. Ergo, you re-enter, still floating a bit, and the first thing you see is His Holiness waiting for you, and it’s shock-inducing, like the parent not likely to show up at the airport.
That’s the role He plays. “Well, look at you,” he says. It’s a tough, tight embrace. “Just look at you, kid.”
My own dad held me like this once. In the twelve months prior, I had lost 50 pounds and stopped talking to almost everyone. Him especially. He still never calls. But my job remained swell. I was paying my mortgage. Living with my boyfriend. He gripped me in his taught farmer’s arms. Hugging dad is saying oh God how we miss Mom oh God how weak we are oh God how awful the days and then it stops. Shrug it off. We are pretty strong.
God hugs me like Dad. Why wouldn’t he? God says, “Ah, kid…”
And it’s a cosmic joke. Look how far you’ve come! All the while, I have been – like everyone else – suspended upon the point of humiliation. Enumerate my sins. Scrape my skeleton dry. Put me through the wash cycle on a kind of torturous synesthesia: white light blinding, every syllable I’ve every uttered now exploding in my ear. But he only rocks and forth a little, and in his simplicitly, I find peace and shame. The combination, equally weighted, is so unlikely that the heart slows perilously. The mind dulls. Dead. Dead. Dead.
This is just what I’ve heard.
Observe this pair of Steve Madden ballet flats with some of the shape and the color cracked out. Size Whatever. Loved to Death.
Sometimes a person walks into a Starbucks or out of a grocery store into a parking lot and for a moment you suspend them in the gelatin of an unlikely scenario. You fantasize that this bright-eyed man in his clean pea coat is actually miserable and alone, or that this girl in big boots has no one to call, no one to kiss. But they never sit down in a car or at a table alone.
This must be unravelled. Is the Little Red Riding Hood Wolf the same villain as the Three Little Pigs Wolf?
On an otherwise completely manic-depressive early January evening, he emerges through the bit of fog. Under the bridge. Under the expressway. Under his long, tall tower of puffy pink and cerulean blue. The cotton candy man.
The spaces it creates are ineffable.
On the train, your food belongs to everyone. Like your body and soul on the train, it is a sickly sponge to all train elements: to everything from dirt, to ground-up other food, to people’s laughs and coughs. Even their smiles, if ever shown, would be an ingredient in what you breathe, touch, and consume. It would be a layer on top of your eyeballs.
Especially in the springtime, he would change his clothes and kids and their parents alike would remark upon the color he was wearing. A really good, devout parent would also supply the reason why. I remember white, purple, and green, though probably not in that order. When he wore that green, my sister and I would snicker it out in our pew because the outfit finally fit the voice.
It’s the kind of word you could fall asleep in, with the mm and ahh. And all the syllables make it seem sophisticated, like a second cousin emigrated back in time to Henry James’ Europe. The name’s on the tip of your tongue but not quite there when you hear “Ebony and Ivory” come on the radio.
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